A suspicion lingers in the heart of the constant theatergoer that if you are too clever, then you must be made of ice. This prejudice has misguidedly dogged, among others, that greatest of songwriters, Stephen Sondheim, like a peevish, affection-starved beagle. But it has never clung to anyone more tenaciously and erroneously than it does to the playwright Tom Stoppard. — Ben Brantley, “The 180-Year Itch, Metaphysically Speaking,” The New York Times
This is the production
relia and I saw on Sunday, the day after we saw (the mindblowing) Sleep No More. Tom Stoppard is my favorite playwright and Arcadia is probably my second- or third-favorite of his plays, but I’d never had the chance to see it staged before;
relia had the luck of having neither seen nor read it and coming into it fresh. We had pretty good seats and a lot of excitement, at least on my part, since I was pretty much bouncing in my pretty good seat over the chance to see Arcadia on Broadway with Billy Crudup as Bernard Nightingale.
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His Bernard really stole the show: everything he did was entertaining and I kept looking back at him for his reactions to things characters were saying even when they weren’t addressing him, which is always a good sign on the stage. Hannah, Septimus, and Valentine were all great too — I’m going to have to disagree with that review and say that Thomasina nasally yelling her lines was fine for the beginning, where sounding obnoxious and petulant was suited to nagging Septimus about carnal embrace, but got a bit much when she delivered all of her lines that way. Septimus’s line-delivery was fantastic and everyone laughed when they were supposed to laugh, which I imagine is a credit to an actor in Arcadia where audience members who don’t like science or aren’t paying attention may have no idea why they are laughing.
That’s the thing about Arcadia. I don’t really know what to say about it — it’s Stoppard, so it’s brilliant, and it’s kind of the ultimate anti-anti-intellectual play, but if you don’t already have an appreciation for its messages about intellectual curiosity and knowledge and time you probably won’t get it anyway. It’s not the most accessible play in the universe. But I don’t think everything has an obligation to be accessible.
Loved Arcadia, of course, and also loved the production. Like all the best plays, it comes off a hundred times better in the staging.